End of Season Gala

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A summer gala full of variety, unexpected encounters and virtuoso choreographies.

End of Season Gala 2024

Over End of Season Gala

Introdans brings the theatre season to a festive close and heralds the summer with a dazzling End of Season Gala. In addition to several crackers from the Introdans repertoire, this time the programme also features a few surprising encounters with special guests. Seven different choreographies by Robert Battle, Sidi Larbi Cherkaoui, Adriaan Luteijn & Chantal de Vries, Inbal Pinto and Daan Wijnands will be on the programme. The Gala is the ultimate opportunity for the Introdans dancers – some of whom are ending their dance career this year – to shine (one more time) and to showcase their full range of talents. Introdans director Roel Voorintholt: “Previously during the End of Season we focused on dancing highlights from the past season, but this time we aim to create a swinging, summery celebration. With variety, with new and unexpected collaborations and virtuoso choreographies.” 

Dates: 20 June (premiere) – 29 June 2024
Locations: Apeldoorn, Hengelo, Utrecht, Doetinchem

Note: Travel with the special Introdans bus from Arnhem to Apeldoorn and Doetinchem organized by Stadstheater Arnhem in collaboration with Introdans! For just 35 euros you can order a bus ticket (return) including a first-class ticket for the performance and a little extra on the bus! The bus leaves from Musis Arnhem.

 

Agenda

End of Season Gala 2024

Doetinchem, 20:00 h

Amphion Theater

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Doetinchem, 20:00 h

Doetinchem, 20:00 h

Amphion Theater

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Doetinchem, 20:00 h

Utrecht, 20:00 h

Stadsschouwburg Utrecht

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Utrecht, 20:00 h

Hengelo, 20:00 h

Schouwburg Hengelo

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Hengelo, 20:00 h

Apeldoorn, 20:00 h

Orpheus

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Apeldoorn, 20:00 h

Extra information

Bye Bye Land (premiere) – Daan Wijnands
The well-known musical and theatre choreographer Daan Wijnands (known from Hij gelooft in mij, Hello Dolly, All Stars and Alex Klaassens’ Showponies) is creating a new work for the End of Season Gala: Bye Bye Land. This will be a vibrant, revue-like choreography, about saying goodbye. An ode to MGM film musicals, set to the music of La La Land. ‘The work by choreographer Daan Wijnands is also great: these are no slick little show ballets, but instead taut, angular choreographies’ wrote de Volkskrant earlier about his work.

Rara Avis (premiere) – Adriaan Luteijn & Chantal de Vries
Introdans choreographers Adriaan Luteijn and Chantal de Vries are once again creating a unique encounter specially for this End of Season Gala. This time several Introdans dancers and a group of well-known drag queens, led by the flamboyant Ma’MaQueen (an alias of Venus Bijleveld), will share the stage in a new, spectacular choreography. The Encounter is a concept that Adriaan Luteijn has developed over the past twenty years with performers who come from a wide variety of physical, social, cultural and intellectual worlds. For instance the Dutch Olympic Volleyball team, hiphop-waacking and voguing dancers, older people, dancers with different physical and/or intellectual abilities, or even whole families, all of whom he places alongside professional dancers (Introdancers), and always with remarkable results.  Luteijn enjoys ‘serendipities’, special opportunities that cross his path and that also inspire people with whom he creates. The drag queens who will shine on stage with Ma’MaQueen and the Introdancers are: Xtra Xceptit, Roseè-Sheneè Plastique, REUS and Licka Lolly.

(duet from) Loin – Sidi Larbi Cherkaoui
Sidi Larbi Cherkaoui is a master in creating exceptional duets. Loin is about distance: distance between individuals, countries and cultures, but also about what connects us as people and how we can overcome distance. One moment the duet from Loin is meditative and hallucinatory, the next down-to-earth. The connecting factor is Cherkaoui’s flowing, organic dance language and his characteristic, dizzyingly fast arm movements. ‘His dance idiom is an eclectic mix of classical steps, acrobatic partner work and vogue-like hand choreographies. But the nice thing here is that the stylistic variations never clash,’ wrote NRC Handelsblad after the Dutch premiere.

Bon Appétit, Three and Takademe – Robert Battle
This End of Season Gala also features three creations by Robert Battle, up til November 20223 artistic director of the famous Alvin Ailey American Dance Theatre. The first work, Bon Appétit, is full of tribal and Latin influences. Battle even makes a subtle, ironic reference to cannibalism, but above all the choreography is an abstract, rhythmically very powerful translation of Steve Reich’s masterful Music for pieces of wood. 

The second work, Three, was nominated for the Swan Award, the leading choreography prize in the Netherlands, as ‘Most Impressive Dance Production’. This is a hilarious and athletic power piece in which three men dive into a ‘muscular jam session’. “Never before have we seen such a successful and complete fusion of hip-hop, breakdance and modern dance,” said the jury of the Swans. And they continue: “Nowhere does it lack focus, the physical control is superb, you can see the performers having a great time and their concentration is incomparable.” 

For the third work, Takademe, Robert Battle drew inspiration from the musical rhythms of classical Indian kathak dance. However, the short choreography is by no means ‘classical’: the choreographer used the fast and angular rhythms of the kathak for a contemporary, exceptionally virtuoso male solo. Battle’s Takademe is a delightful exposé of energy and dance pleasure.

Wrapped – Inbal Pinto
The End of Season Gala celebration is completed by the duet from Inbal Pinto’s absurdist Wrapped. The piece has won several prizes including a prestigious American Bessie Award. In this audience favourite, Pinto combines humour and poetry into a visually rich imaginary world to create, as he puts it, an urban legend. ‘A fantastic breath of fresh air’ wrote de Volkskrant.

At the End of Season Gala, several dancers who have been members of Introdans for many years will be saying goodbye to the dance stage.

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